“Imagination is more
important than knowledge.” - Einstein
I’m finally starting to realize that I have an unusually
vivid imagination. I not only love, but need stories. I am very empathetic. I
get spooked easily in the dark. I process and retain information visually; I
can remember the outfits and colors from significant events that happened years
ago. I envision the future more easily in terms of my own projections than
logical reality.
There are great things about imagination: it compels me to
create, to sketch or play or write. It makes reading novels an acutely
immersive pleasure: I inhabit the fictional world, speak the dialogue, picture
the scenery and movements of characters in my mind. It’s a world that I can
live in and go back to even while say, doing the dishes or supposedly-parenting
my children. I enjoy colors—seeing what hues are trending, envisioning how I
would redo a room’s décor, noting pairings in a good outfit. I’m easily awed by
nature, in the grandiose or miniature. My career is visual: compared with other
specialties, it’s based much more on what I see over what a patient tells me.
One removes a cataract more by sight than feel.
And being highly imaginative makes parenting so much fun. I
can invent silly rhymes (my latest one, after Eric got frustrated when Ellie
tried to tell him he was wrong about something: “thank you for the education,
I’ll use my imagination!”), spin any situation into a narrative, craft
spontaneous things from a motley of items. If imagination is what connects our
perceptions, what builds fantasy landscapes, what powers wonder, then kids live
in the stuff, and being prone to it myself helps me connect with them.
But it’s not all good. In a talk on cultural imagination,
David Brooks quoted someone as saying being alone with your imagination at
night can be like opening a “drawer of knives.” It’s easy to be affected by
fears. Sometimes I can’t stop picturing over and over how I should have done a
particular step of a surgery differently. I’m seized with scenarios of my kids
getting kidnapped and have a hard time letting them go outside unsupervised. I’m
particularly affected by shows or books that are too frightening or sexually
explicit. I don’t like reading about tragedy unless I know I have the space to
process it. The only scary movie I ever let myself watch was “The Sixth Sense,”
and I remember suffering from insomnia while backpacking through Europe years
later because of it.
Part of discovering myself as an imaginative person—which,
as a daughter of an engineer father and a no-nonsense mother, is coming to me
rather later in life—is delighting in all the ways imagination helps me connect
with my kids, create and enjoy creation, and moves me forward into the future
with vision. But part of it is also discovering that I need an unusual kind of
discipline: I need to be more intentional than most about my mental life. I
must be careful of what I feed my mind and eyes, about what I let my thoughts
stray to. What I think isn’t peripheral; it is the world I inhabit, and
therefore how I am changed. In a way, it is what I worship and who I become.
Francis Parkman was an American historian who longed for the
West as a young man. He later described his younger self: “His thoughts were
always in the forest, whose features possessed his waking and sleeping dreams,
filling him with vague cravings impossible to satisfy.” I live much of life
with my thoughts in the forest of my imaginings—and, to follow the metaphor, if
I feel I have never really arrived, it is because, as C. S. Lewis wrote, “all
the leaves of the New Testament are rustling with the rumor that it will not
always be so.” When one day we experience our bodies, our earth, our loved
ones, and our God as it is meant to be, maybe we’ll find it was less about what
we knew than what we imagined.
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